Oil Painting Mediums
Fat Medium Chelsea Classical Studios
Chelsea Classical Studios Fat Medium For Oil Painting is a mixture of Linseed Oil Pale Cold-Pressed and Lavender Damar Varnish. It will make the paint more glossy, dry faster, and is recommended for later stages of painting.
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Lean Medium Chelsea Classical Studios
CCS Lean Medium For Oil Painting is a mixture of Linseed Oil Pale Cold-Pressed and Lavender Spike Oil Essence. It will thin the paint, make it dry faster, and is recommended for the early layers of painting.
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Linseed Oil Pale Cold-Pressed Chelsea Classical Studios
Chelsea Classical Studios Linseed Oil Pale Cold-Pressed is extracted using the more costly, time-tested method of cold-pressing oils. This method follows historic precedent by using the most natural oil and extraction processes. CCS does not use high-heat extracted oils. High-heat and chemically extracted oils have many more impurities than cold-pressed oils, and that extraction process may alter the oil’s natural properties.
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Oil Painting Medium & Cleaner Sets Chelsea Classical Studios
Try the Chelsea Classical Studios system of painting mediums in one convenient sampler pack, or different packs of two-item combos.
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Walnut Oil Pale Cold-Pressed Chelsea Classical Studios
Chelsea Classical Studios Walnut Oil Pale Cold-Pressed is extracted using the more costly, time-tested method of cold-pressing oils. This method follows historic precedent by using the most natural oil and extraction processes. CCS does not use high-heat or chemically extracted oils, which have many more impurities than cold-pressed oils, and because those processes may alter the oil’s natural properties.
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Cold Wax Medium Gamblin
Cold Wax Medium can be added to any oil painting material to reduce sheen. It can also be used as a traditional wax varnish. A light coat of wax can be applied over a dried painting then buffed with soft, lint free cloth. Wax varnish gives a painting a soft sheen without the thick resin coating.
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Galkyd Gel Gamblin
Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. It increases transparency of oil colors and creates impasto.
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Galkyd Lite Painting Medium Gamblin
Galkyd Lite is different from Galkyd because it is made from an alkyd resin that has a lower viscosity. The viscosity of Galkyd Lite is very similar to that of a traditional damar, refined linseed oil or turpentine painting medium. In addition to pleasing painters who prefer a lighter painting medium, the longer working time of Galkyd Lite (approximately three hours) will delight landscape painters and others who enjoy painting outdoors. Thin layers will be ready to paint over within 24 hours. Galkyd Lite thins with odorless mineral spirits. Because of its lower viscosity, Galkyd Lite will leave brush strokes in thicker layers. Glazes made with Galkyd Lite look slightly less glossy than those made with traditional mediums or Galkyd. However, like Galkyd, Galkyd Lite is formulated to thin oil colors and maintain strong flexible paint films. Galkyd Lite is ready to use and available in glass bottles.
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Galkyd Painting Medium Gamblin
Galkyd is made from alkyd resin, the polymerized oil of the 20th century. The medium adds binder (increases adhesion) and speeds up drying. High viscosity alkyd resin was among the materials Jackson Pollack used to make his drip paintings. To make a similar mixture, use 60% Galkyd and 40% oil color. No more than 50% solvent by volume can be added to Galkyd without compromising its binder.
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Neo Megilp Gamblin
Neo Megilp oil painting medium is a soft, silky gel. It gives paint body, decreases viscosity, and can produce a luminous Turner-like atmosphere, suspending and supporting paint in a soft gel. Made from contemporary materials so it will not turn yellow or dark, Megilp can replace Maroger Medium for artists who love the working properties but are concerned about Maroger's poor aging properties.
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Oil Painting Mediums Set Gamblin
This set contains a sampling of Gamblin painting mediums and is a great introduction to understanding their role in a modern painting studio. Using today’s safer materials, they recreate the properties of traditional mediums and provide a way for painters to expand their knowledge and techniques. This set includes a 2 oz. Gamsol, 2 oz. Refined Linseed Oil, 2 oz. Galkyd Lite, 2 oz. Neo Megilp, 2 oz. Cold Wax Medium and a 37ml tube of Solvent-Free Gel Medium.
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Refined Linseed Oil Gamblin
Pressed from American flax seeds, this refined linseed oil is as light and pure as industrially produced linseed oil can be. Use in moderation to thin oil colors or as a medium for traditional powdered pigments.
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Safflower Oil Gamblin
Safflower oil works great as a brush cleaner during a painting session and may also be used as a fluid, slow-drying painting medium. After painting, artists can clean brushes further with Gamsol or soap and water. For use as a painting medium, use sparingly or mix with an equal amount Gamsol to create a traditional slow drying, low viscosity painting medium.
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Solvent-Free Fluid Gamblin
This fluid, solvent-free painting medium supports a broad range of painting techniques with minimal compromise across color, dry time, texture and mark-making. It gives colors more flow and transparency. This medium increases gloss and has a moderately fast drying rate. The non-toxic fluid contains no Gamsol or petroleum distillates, and is made from safflower oil and alkyd resin.
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Solvent-Free Gel Gamblin
This gel-based, solvent-free painting medium supports a broad range of painting techniques with minimal compromise across color, dry time, texture and mark-making. It gives colors more flow and transparency, yet holds the shape of your brush mark. This medium increases gloss and has a moderately fast drying rate. The non-toxic gel contains no Gamsol or petroleum distillates, and is made from safflower oil and alkyd resin.
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Cobalt Drier Grumbacher
As its name impies, it speeds the drying time of oil colors. Add to oil painting medium in drops instead of adding directly to oil paint. Cobalt Drier is an extremely strong additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Excessive use may cause cracking of the paint film when drying.
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Copal Painting Medium Grumbacher
Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Best used for artisan painting versus fine art application, Copal painting medium may cause yellowing or darkening of colors over long periods of time.
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Japan Drier Grumbacher
Japan Drier is used primarily for oil gilding. It is an alkali-based drier that may cause yellowing or darkening of colors over time so it is recommended for sign painting, woodworking and crafting versus fine art applications.
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DUO Aqua Oil Quick Drying Pastes Holbein
An aqueous paste medium that dries clear and dramatically accelerates the drying time to as little as 30 minutes when mixed with DUO Aqua Oil in equal parts. The gloss paste will produce a transparent finish while the mat paste will produce a translucent finish. When thinned with water, the mat or gloss effect will be reduced. Creating thick layers may also cause wrinkling.
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Dorland's Wax Medium Jacquard
Used for encaustic and other painting techniques. An excellent protective coating for paints, sculptures, objects of art, etc.
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Artists' Oil Mediums Set M. Graham
Experience the rich look and feel of traditional oil colors without exposure to toxic solvents. Thin real oil color with Walnut Alkyd Medium painting medium and clean brushes with Walnut Oil.
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Walnut Alkyd Oil Medium M. Graham
This medium combines the advantages of walnut oil, enhanced flow and reduction of yellowing, with the accelerated and uniform drying time of alkyd.
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Walnut Oil M. Graham
Used by artists from the Renaissance, walnut oil offers greater freedom of application than poppyseed oil and reduces the yellowing and streaking associated with linseed oil. This slow drying oil allows longer open time.
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Res-N-Gel Martin F. Weber
A full strength, synthetic resin gel medium, Res-N-Gel is transparent, viscous and ready-to-use. Ideal for impasto, opaque and glazing effects, it extends oil colors while maintaining body, has a buttery texture and will retain brush strokes and fine detail. When mixed with oil paints, colors will become more luminous and brilliant while accelerating dry time.
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Turpenoid Gel Medium Martin F. Weber
A clear, semi-soft and smooth gel medium for oil colors. When added to oils, it will shorten drying time, increase the transparency of opaque oil colors, allow for incredible impasto effects and add luminosity and brilliance to oil colors. It holds brush strokes in place and is also is excellent for glazing.
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Natural Impasto Medium Natural Earth Paint
Natural Impasto Medium is the perfect material to thicken or extend your oil paint naturally or achieve the impasto effect. This medium is free of toxins and preservatives and uses the same ingredients as the Renaissance Masters!
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Walnut Oil Medium Natural Earth Paint
Organic, refined walnut oil is a perfect medium for working with earth pigments. Slow-drying, non-toxic, and all-natural this is a time-tested medium with great workability. Unlike linseed oil, this product doesn’t yellow over time and its unique refractive index produces color that is more naturally alive and vibrant. Use it to mix with pigments, to thin mixed paint, to clean brushes, or to make natural wood stains.
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Alkyd Resin Williamsburg
Made from a slow-drying pure alkyd resin with the consistency of a thick Stand Oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow.
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Cold Pressed Linseed Oil Williamsburg
Genuine, cold-pressed linseed extracted through pressure alone. It is less processed than alkali-refined linseed oil. It works well as a binding component for painting mediums and for production of oil colors.
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Extender Medium Williamsburg
This extender medium is used to extend paint without compromising original consistency. It is recommended to be used as an additive, at a maximum blending ratio of 1:1 paint to medium. It consists of marble dust and barium sulfate in linseed oil, so there is an increased tendency to yellow.
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Linseed Oil Williamsburg
A drying oil pressed from flax seeds, this genuine linseed oil forms a good, tough and resilient film.
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Stand Oil Williamsburg
A polymerized, heavy-body linseed oil. The oil is heated in the absence of oxygen creating a honey-like consistency. It provides good leveling with an enamel-like sheen.
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Wax Medium Williamsburg
A mixture of pure beeswax, damar resin and refined linseed oil, this wax medium adds texture, body and translucency to oil paints. It can be used for glazing and impasto techniques. It does not include any paraffin or microcrystallines.
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Artists’ Painting Medium Winsor & Newton
A slow-drying gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks.
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Blending & Glazing Medium Winsor & Newton
This all-in-one blending and glazing medium allows you to blend oil and alkyd colors without making them too transparent or too fluid to cover well. When used in glazing, it does not become tacky quickly, allowing highlights and shadows to be built up slowly. Dries to a durable gloss finish. In 75ml bottles.
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Drying Linseed Oil Winsor & Newton
A fast-drying oil of darker color than refined linseed oil. In 75ml bottles.
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Liquin Fine Detail Medium Winsor & Newton
An ideal medium for fine detail work, drip effects, glazing and smoothly blending areas with no brush marks. This gloss finish medium is for use with oil and alkyd color and is quick drying and non-yellowing.
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Liquin Impasto Medium Winsor & Newton
Retain crisp textures and brush strokes without leveling while extending tube color with this medium for oil and alkyd colors. The formula is quick drying, non-yellowing and offers a semi-gloss finish. In a 200ml tube.
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Liquin Light Gel Medium Winsor & Newton
This light gel medium breaks down immediately on brushing and flows with a non-drip effect. It is ideal for glazing with oil and alkyd color, is quick drying, non-yellowing and gives a gloss finish.
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Liquin Original Winsor & Newton
A durable non-yellowing semi-gloss medium for thinning the consistency of oil and alkyd paints, reducing brush stroke retention. It halves the drying time of conventional oil colors and is thinned with solvent or turpentine. Excellent for glazing and painting fine detail. Not suitable as a varnish or final coat.
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Oleopasto Winsor & Newton
Stiff translucent gel providing impasto effects to oil and alkyd colors. Dries quickly, does not crack and is non-yellowing.
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Refined Linseed Oil Winsor & Newton
A pale oil that reduces consistency, increases gloss, slows drying time and increases transparency for oil colors.
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Linseed Stand Oil Daler-Rowney Warehouse Only
Stand oil will reduce the consistency of oil paint and enhance flow. It is faster drying than pure linseed oil and has a viscous consistency. Dries to a tough elastic film and reduces brush marks. In a 2.5 oz. bottle.
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Painting Medium Daler-Rowney Warehouse Only
An ideal all-purpose painting medium made of linseed stand oil, white spirit and oil of spike lavender, which dries to a tough elastic film. It creates an excellent glaze and is easy to handle, making it an exceptional choice for beginners.
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Purified Linseed Oil Daler-Rowney Warehouse Only
Reduces the consistency of oil color and slows down drying time. It its raw state, linseed oil gives color a high gloss. Diluted 50/50 with turpentine or thinner, it creates an excellent medium for most types of painting.
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Water Soluble Fast Drying Oil Painting Medium Daniel Smith Warehouse Only
This low-odor, water-soluble oil medium is non-yellowing, fast drying and increases transparency and flexibility. It will also significantly increase the speed of drying time.
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Water Soluble Modified Linseed Oil Daniel Smith Warehouse Only
This linseed oil thins the consistency of water soluble oil paints, improves flow and increases gloss.
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Water Soluble Oil Fast Drying Linseed Oil Daniel Smith Warehouse Only
This fast drying linseed oil thins the consistency of water-soluble oil paints, improves paint flow, increases gloss and significantly speeds drying time.
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Water Soluble Oil Painting Medium Daniel Smith Warehouse Only
This low-odor painting medium is non-yellowing, increases the transparency and flexibility of water-soluble oils and reduces drying time.
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Water Soluble Safflower Oil Daniel Smith Warehouse Only
This water-soluble, low-yellowing safflower oil is great for thinning whites and light colors.
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CoZiCa Drier Blend Eco-House Warehouse Only
A drying medium containing cobalt, zirconium and calcium octoates, dissolved Eco-House Extra Mild Citrus Thinner without aromatics. This blend is highly effective drying oils and stand oils despite its minimal cobalt content, which also makes it suitable for lighter color shades.
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Damar Medium Eco-House Warehouse Only
This heavy resin-oil painting medium contains damar resin and linseed stand oil as binders. The main difference from the traditional 1:1:1 formula is the use of the mild Eco-House solvent system instead of turpentine and the addition of lead-free driers (cobalt-zirconium-calcium octoates), which reduce the drying time substantially. The damar resin adds brilliance and luminosity to colors and mechanical hardness to the paint coat. The linseed stand oil adds elasticity and moisture resistance to the paint coat. It improves flow and leveling of paints. It has less of a tendency to yellow than plain linseed oil.
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Damar Resin Eco-House Warehouse Only
A natural tree resin derived from the viscous sap of the Southeast Asian damar pine. The tree sap is collected, air-dried and separated into the volatile turpentine and the solid damar resin. This damar resin can be used to make various traditional painting preparations, such as damar varnish and mediums. It also is used in encaustic painting.
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Linseed Standoil Eco-House Warehouse Only
A light-colored, pre-polymerized, additive-free linseed oil that increases the luster of oil paints. Its high viscosity allows it to be used with metallic driers to shorten the otherwise slow drying time.
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Refined Linseed Stand Oil Eco-House Warehouse Only
A light-colored, pre-polymerized, additive-free refined linseed oil that increases the luster of oil paints. Its high viscosity allows it to be used with metallic driers to shorten the otherwise slow drying time.
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Alkyd Painting Medium Grumbacher Warehouse Only
Speeds drying and gives consistency to alkyd and oil colors. Colors mix easily, while paintings dry to the touch within 24 hours. As a glazing medium, it enhances the transparency or translucency of the paint, resulting in rich and intense colors. Its pleasant odor sets it apart from similar products. In 2.5 oz. bottles.
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Gel Transparentizer Grumbacher Warehouse Only
Oil color medium that is colorless and compatible with all oil colors. Opaque oil colors mixed with it become transparent but retain all characteristics of hue, consistency and texture.
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Linseed Oil Grumbacher Warehouse Only
An oil painting medium, made of purified and refined linseed oil, that improves flow and increases gloss.
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Oil Painting Medium I Grumbacher Warehouse Only
This oil painting medium improves color flow and provides a matte finish. In 2 oz. bottles.
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Oil Painting Medium II Grumbacher Warehouse Only
An oil painting medium that slows drying, improves flow and increases gloss. In 2 oz. bottles.
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Oil Painting Medium III Grumbacher Warehouse Only
This medium improves flow, accelerates drying time and increases gloss. In 2.5 oz. bottles.
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Pale Drying Oil Grumbacher Warehouse Only
Accelerates drying of oil colors and increases flow. In 2.5 oz. bottles.
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Poppyseed Oil Grumbacher Warehouse Only
Slow-drying medium with excellent color retention when used with oils. In 2.5 oz. bottles.
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Stand Oil Grumbacher Warehouse Only
A heavy-bodied purified linseed oil which resists yellowing and improves flexibility and flow. For use in preparing oil painting mediums. In 2.5 oz. bottles.
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Sun-Thickened Linseed Oil Grumbacher Warehouse Only
An oil painting medium that increases flow and gloss. Heavy-bodied and purified. In 2 oz. bottles.
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Zec for Underpainting & Textures Grumbacher Warehouse Only
A specially formulated, quick-drying, clear, colorless colloidal painting medium for oil colors. Maintains the consistency and hue of the color and holds any desired texture. Greatly speeds drying. In 150ml tubes.
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DUO Aqua Oil Painting Medium Holbein Warehouse Only
Used alone or thinned with water, DUO Aqua Oil Painting Medium dries clear and enhances transparency and gloss finish while accelerating drying time. It also aids in brush ability and flow. Add DUO Linseed Oil when you desire to create a stronger surface finish during the final layers of painting. Over time, this medium may become cloudy, but its performance will not be affected.
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DUO Aqua Oil Quick Drying Liquid enhances transparency and gloss finish while dramatically accelerating drying time. If mixed with DUO Aqua Oil Color in equal parts (not to exceed 50%), the substrate surface will become tacky in as little as 30 minutes. It can also be thinned with water, however, the overall effect will be reduced. Over time, the medium may become cloudy, but its performance will not be affected. Excellent for impasto techniques and knife painting.
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DUO Linseed Oil Holbein Warehouse Only
A specially modified linseed oil for use with Holbein Duo Water Soluble Oils, Duo Aqua Linseed Oil has all the characteristics of traditional linseed oil, but is water mixable. Use it to increase gloss and transparency while slowing the drying time of DUO.
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DUO Stand Linseed Oil Holbein Warehouse Only
This highly viscous, thermal polymerized linseed oil increases the transparency of DUO Aqua Oils and can be thinned using water. When water is added, Stand Linseed Oil appears milky but then turns clear when dry. When mixed with DUO Aqua Oils and/or Painting Oil Medium, the result is a leveled and enamel gloss effect. Over time, this medium may become cloudy but its performance will not be affected.
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Lesolvent De Colore Holbein Warehouse Only
A mixture of Spirit of Turpentine, Poppy Oil, Siccatif and Resin, this ready-to-use medium speeds drying time and adds luster and smoothness to your painting applications. Recommended for professional artist use rather than beginner or student. In a 55ml bottle.
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Painting Oil Holbein Warehouse Only
A mixture of Spirit of Turpentine, Linseed Oil, Siccatif and Resin, this ready-to-use medium speeds drying time and adds luster and smoothness to your painting applications. Recommended for the beginner or student artist.
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Quick Dry Medium Holbein Warehouse Only
A non-yellowing mixture of stand oil, resin and refined petroleum oil. This medium, when mixed with oil color, will accelerate drying and harden the painting surface. As a glaze, it will provide a glossy surface which deepens the color. Clean the rim of the jar after use to avoid adhesion with lid. In a 55ml bottle.
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Spike Lavender Oil Holbein Warehouse Only
Distilled from a variety of the lavender plant family, this fragrant oil has properties similar to turpentine, but has a greater tendency to oxidize or gum, but does not evaporate as readily. In a 55ml bottle
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Stand Linseed Oil Holbein Warehouse Only
A heavy viscous oil that when blended with oil color produces surface transparency and brightness and a smoothness which enhances the levelling of the brush stroke. In a 55ml bottle.
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Sun Thickened Linseed Oil Holbein Warehouse Only
Made by exposing it to the sun for prolonged periods, Sun Thickened Linseed Oil has a high degree of viscosity which improves drying, levelling and protective characteristics. Used for oil mediums, varnishes and glazes, it may be diluted with turpentine or petroleum oils. In a 55ml bottle.
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Sun Thickened Poppy Oil Holbein Warehouse Only
When mixed solely with oil colors, this glossing oil made from condensed poppy oil will produce an extremely high gloss on your painting similar to that of enamels. In a 55ml bottle.
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Linseed Oil Jack Richeson & Co. Special Order Only
Linseed Oil is highly purified white linseed oil of the finest quality. It thins the paint but still acts as a binder for pigments. Mix it with oil and alkyd colors for smoother color application and better blending. Or combine it with turpentine or mineral spirits to create your own custom painting mediums. Use it full strength to remove oil paint from brushes.
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Stand Oil Jack Richeson & Co. Special Order Only
Stand Oil is a very heavy-bodied oil. It wets pigments well, producing paint with good flowing qualities that levels easily and reduces brush marks. A more durable type of Linseed Oil,
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Mona Lisa Linseed Oil Mona Lisa Warehouse Only
Mona Lisa Linseed Oil is a drying oil extracted from the seed of the flax plant, processed and boiled with special additives which shorten its drying time. It is an excellent choice as an extender and fortifier of oil base paints, stains and primers, allowing the artist to use less expensive pigments and maintain rich vibrant colors. It assures a uniformly tough, elastic and glossy film that repels water, resists weather, retards chalking and prolongs paint fill life. In an 8 oz. container.
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Blending Medium R&F Handmade Paints Special Order Only
Blending medium is ideal for glazing colors, and can be worked directly into a color to increase the color's transparency or to blend colors together on the surface. Available with drier and without. Medium with drier contain a small amount of Cobalt Drier added to speed up the drying time. The use of a Cobalt Drier can affect color, so best use is to work colors on top of it after it has been laid down on the surface.
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Venice Turpentine Sennelier Warehouse Only
Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewel-like quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%).
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Boiled Linseed Oil Sunnyside Warehouse Only
Fortifies oil-based paints, stains and primers and improves their brush and flow characteristics. It also may be used to finish fine wood, furniture and antiques. Dries in 12 to 18 hours. In a pint can.
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Raw Linseed Oil Sunnyside Warehouse Only
A completely natural drying oil that contains no additives. Drying time is typically two to four days. The slow drying time allows the oil to penetrate deeply. One quart.
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Artisan Water Mixable Fast Drying Medium Winsor & Newton Warehouse Only
This is a fast drying medium that improves the flow and speeds the drying of Artisan water-soluble oil colors. It is also useful for smoothing out brushwork and increasing the gloss and transparency of the colors. It is excellent for glazing and producing fine detail and is resistant to yellowing.
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Artisan Water Mixable Impasto Medium Winsor & Newton Warehouse Only
This is an impasto and texturing medium for use with Artisan water-soluble oil colors. Mixed thoroughly into the color it will build into multiple thick layers and speed the drying time.
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Artisan Water Mixable Linseed Oil Winsor & Newton Warehouse Only
This oil is used for reducing the consistency and improving the flow of Artisan water-soluble oil colors. It also increases the gloss and transparency of the colors.
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Artisan Water Mixable Painting Medium Winsor & Newton Warehouse Only
This medium thins the consistency of Artisan water-soluble oil colors and aids fine detail work. It also improves the flow and wetting of the colors. It dries slowly to a flexible film and is good for oiling out sunken oils from bottom layers of paintings.
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Artisan Water Mixable Safflower Oil Winsor & Newton Warehouse Only
When painting with whites or pale colors, Safflower Oil can be used instead of Linseed Oil to reduce consistency. It's paler color allows for paler pigments maintain their brightness. It also increases gloss and transparency.
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Artisan Water Mixable Stand Oil Winsor & Newton Warehouse Only
The flow and levelling of Artisan water-soluble oils is improved by using slow drying stand oil. It is excellent for glazing and producing fine detail as it smooths brushwork.
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Drying Poppy Oil Winsor & Newton Warehouse Only
This fast-drying oil resists yellowing and is made from poppy seeds. It increases gloss and transparency while reducing consistency. It is well suited for whites and pale colors.
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Safflower Oil Winsor & Newton Warehouse Only
This slow-drying oil improves flow, gloss and transparency in colors. It resists yellowing and is well suited for pale colors.
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Stand Linseed Oil Winsor & Newton Warehouse Only
When mixed with turpentine or white mineral spirit, this viscous, slow drying pale oil will improve oil color flow, and impart a tough, elastic finish.
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Thickened Linseed Oil Winsor & Newton Warehouse Only
This syrup consistency, pale refined oil will increase the flow of oil colors and speed the paint's drying rate. In a 75ml bottle.
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