5 NEW reasons to love Piñata Color: Golden Yellow, Pink, Coral, Blue-Violet, and Teal! Piñata Colors are fast-drying, super vibrant alcohol inks for non-porous surfaces like glass, metal, plastic, ceramic, YUPO®, leather, polymer clay and resin. Indelible and impervious to water, Piñata Colors clean up and re-wet with alcohol, allowing for unique effects and techniques not easily achieved with water-based inks.
WHY 5 NEW COLORS? Some colors are more challenging to mix from scratch than others. This is especially true of complex colors like teal and coral. Alcohol ink artists have been asking for these colors, and Jacquard is proud to announce their release.
NEW PIÑATA EXCITER: Jacquard is also proud to introduce the NEW Piñata Overtones Exciter Pack! This collection of 9 alcohol inks includes the 5 NEW colors + Blanco Blanco, Copper, Brass, & Pearl. The Piñata Overtones Exciter Pack makes a superb companion to the original Piñata Exciter Pack, offering a complex palette to compliment the more elementary colors in the original set.
Watch below as artist Annie Morcos (@AnniesArtStudio) creates a resin petri project featuring the new Piñata Colors!
We recently visited Inner-City Arts‘ beautiful, award-winning campus in Downtown Los Angeles, and came away so inspired. We are even more committed to continue supporting them and invite you to join us in advocating for arts education for our communities.
Oil painters are increasingly invested in the craftsmanship of their artwork. An accomplished and experienced oil painter recently asked us about Gamblin Ground, and why they would use it instead of or in addition to regular gesso. Creating a strong foundation for imagery is an important consideration, and Gamblin Oil Painting Ground creates the perfect foundation for contemporary oil painters. Below are notes on the key characteristics of Gamblin Ground, application tips, and notes about shelf life.
Gamblin Ground Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion.
Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top retain better color saturation. Gamblin Ground can be applied to a “pre-primed” acrylic gesso canvas or panel to make a good painting support a great one.
Not every day is Christmas… We all have a collection of less-than-successful paintings that shouldn’t see the light of day. Since Gamblin Ground is oil-based, it can be used to cover old paintings so the support can be re-used. We recommend roughing up the old painting with sandpaper or steel wool, followed by wiping the surface with a rag wet with Gamsol before the Ground is applied. This will ensure proper adhesion.
Application Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO thin coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground.
Gamblin Ground is thicker than acrylic gesso, and requires different application techniques, which are demonstrated on Gamblin’s Video Demos page.
Shelf Life, Formulation Improvements. We have heard from painters who’ve experienced Gamblin Ground skinning over in the can, and Gamblin has taken steps to mitigate this by managing formula solvent levels and drying rate. They have also improved the Ground by lowering its odor. Ongoing tests show that formula adjustments over the past two years have resulted in reduced skinning and improved shelf life.
Still, Oil Painting Ground is formulated to dry faster than oil colors, and it doesn’t discriminate between drying on a canvas and in the can. Gamblin date stamps the bottom of each can. Painters, please remove the wax paper seal after the first use, drizzle a little Gamsol on the surface of the Ground and cover with a plastic seal (i.e. Ziplock baggie cut to fit). This will help prevent skinning in the can by limiting the Ground’s contact with oxygen.
You asked, we did it. We scheduled a calendar full of classes and workshops in our new space. Our opening month classes and workshops have been leading up to the introduction of Master Class at Raw Materials, where prominent artists teach intensive workshops that go beyond art school. Master Class will provide intensive interaction with professional artists working in a variety of media and will draw from a broad spectrum of cultural viewpoints. Students interact closely with working artists and can gain insight into how artists approach the making of art and respond to the work of others. Teaching groups are deliberately small, intense, and personalized.
Internationally-acclaimed Los Angeles-based painter Salomón Huerta was born in Tijuana, raised in East L.A. and attended the Art Center College of Design on a full scholarship, where he graduated with highest honors. Huerta also holds a Master of Fine Art from UCLA and is best known for his series of paintings depicting anonymous subjects with their backs to the viewer, facades of color-saturated, suburban homes, and larger than life-sized, masked Lucha Libre wrestlers. Huerta’s paintings have been collected and exhibited internationally, including at the Los Angeles County Museum of Art, Armand Hammer Museum of Art, Gagosian Gallery London, Worcester Museum of Art, The Smithsonian Institute, and at the Whitney Biennal. Huerta is represented by Louise Alexander Gallery.
About a year ago, Salomón Huerta was nice enough to shoot this short video about his favorite art supply store and the products he uses. Check it out:
On August 24th, Raw Materials Art Supplies was lucky to have Certified Ross Instructor David Arquette teach a Bob Ross Painting Class—our very first class in our new location! To no one’s surprise, the class sold out quickly.
In just under two hours, students eager to start a painting hobby learned how to paint an outdoor landscape. Based upon the PBS “Joy of Painting” series with Bob Ross, these artists of various abilities and experience painted and learned Bob Ross’ painting techniques, thanks to David Arquette’s guidance and friendly style.
If you missed out and couldn’t get a seat to the class, don’t fret. David said he had so much fun he’d like to do it again.
Five years ago these guys went shopping at Raw Materials with help from our then-mascot and head of security, Wonton. Good times. And today, we open for business at our new location at 645 S. Los Angeles Street. Will you be there?
Strathmore’s last 2019 FREE Online Workshop will be starting up again soon and we are so excited for this virtual classroom! Get ready for Intro to Painting with Gouache, with artist/instructor Myriam Tillson, which starts September 3, 2019!
This gouache workshop will explore the use of gouache as a painting medium in its own right. Students will learn about the particular properties of the medium, how it compares to other similar paints such as watercolor and acrylic, what materials work best with it, and how to use it to make the most of it and its specific qualities.
Viewers will be introduced to the paint in some detail, and will be shown which papers, brushes and tools can help enhance their experience with the medium. You’ll learn key tips and tricks to get more familiar with gouache, how to use gouache in an opaque manner, how to achieve the ideal consistency, and alternative applications.
Workshops are self-paced. You participate when you want.
If you registered for the Online Workshops, you will receive an email at the start of each Workshop. Note that you will not be receiving an email each week a workshop lesson is published (only at the start of the workshop).
Each Workshop has 4 weekly lessons. Once a workshop begins, a lesson is published on the Workshop page each week for four weeks. Once the lessons are published, they will stay active on the site until December 31.
In addition to the lessons, students can participate in conversations on our discussion boards or share work in the classroom photo gallery.
Each weekly lesson includes a video lesson and downloadable instruction sheet. You will complete assignments on your own, at your own pace. Due to the size of the classes, there is no formal instructor review of your assignments.
Instructors will actively participate at the start of each workshop through the first 4 weeks. Instructors will post tips and comments during this time. However, due to the size of the classes, they may not be able to respond to all of students’ questions or comments. Strathmore will be helping out our instructors during this time. After the 4 weeks, Strathmore will continue to monitor classroom discussions and answer questions, with the help of the instructor as needed.