5 NEW reasons to love Piñata Color: Golden Yellow, Pink, Coral, Blue-Violet, and Teal! Piñata Colors are fast-drying, super vibrant alcohol inks for non-porous surfaces like glass, metal, plastic, ceramic, YUPO®, leather, polymer clay and resin. Indelible and impervious to water, Piñata Colors clean up and re-wet with alcohol, allowing for unique effects and techniques not easily achieved with water-based inks.
WHY 5 NEW COLORS? Some colors are more challenging to mix from scratch than others. This is especially true of complex colors like teal and coral. Alcohol ink artists have been asking for these colors, and Jacquard is proud to announce their release.
NEW PIÑATA EXCITER: Jacquard is also proud to introduce the NEW Piñata Overtones Exciter Pack! This collection of 9 alcohol inks includes the 5 NEW colors + Blanco Blanco, Copper, Brass, & Pearl. The Piñata Overtones Exciter Pack makes a superb companion to the original Piñata Exciter Pack, offering a complex palette to compliment the more elementary colors in the original set.
Watch below as artist Annie Morcos (@AnniesArtStudio) creates a resin petri project featuring the new Piñata Colors!
You asked, we did it. We scheduled a calendar full of classes and workshops in our new space. Our opening month classes and workshops have been leading up to the introduction of Master Class at Raw Materials, where prominent artists teach intensive workshops that go beyond art school. Master Class will provide intensive interaction with professional artists working in a variety of media and will draw from a broad spectrum of cultural viewpoints. Students interact closely with working artists and can gain insight into how artists approach the making of art and respond to the work of others. Teaching groups are deliberately small, intense, and personalized.
Internationally-acclaimed Los Angeles-based painter Salomón Huerta was born in Tijuana, raised in East L.A. and attended the Art Center College of Design on a full scholarship, where he graduated with highest honors. Huerta also holds a Master of Fine Art from UCLA and is best known for his series of paintings depicting anonymous subjects with their backs to the viewer, facades of color-saturated, suburban homes, and larger than life-sized, masked Lucha Libre wrestlers. Huerta’s paintings have been collected and exhibited internationally, including at the Los Angeles County Museum of Art, Armand Hammer Museum of Art, Gagosian Gallery London, Worcester Museum of Art, The Smithsonian Institute, and at the Whitney Biennal. Huerta is represented by Louise Alexander Gallery.
About a year ago, Salomón Huerta was nice enough to shoot this short video about his favorite art supply store and the products he uses. Check it out:
What do you love to paint the most? You’ll never know until you explore a wide variety of subject matter. This online workshop presents a sampler of popular watercolor subjects: landscapes, still life, and portraits. Kelly Eddington will show you how watercolor’s unique properties can do the heavy lifting in each painting. Watch watercolor create a serene blue sky, a soft shadow defining a cheekbone, and reflected light on a shiny surface—all in seconds. Watercolor is challenging and can take decades to master, but this medium’s special quirks are so seductive you might find yourself under its spell for the rest of your life.
Watercolor can be one of the simplest mediums to use, but it does seem to have a mind of its own at times, giving it the reputation of being fussy and unforgiving to work with. In this four part workshop Steve Mitchell gets into the mind of watercolor and see what makes it tick. Success with watercolor depends greatly on discovering and anticipating how it reacts in real painting situations.
Here’s a new way to do acrylic pours – with a pendulum! We are most definitely going to try this at home! GOLDEN Color Pouring Medium Matte (CPM Matte) and Color Pouring Medium Gloss (CPM Gloss) are new and exciting products for 2019. Have you tried doing an acrylic pour yet? So much fun. Unlike most acrylic mediums that develop an initial “skin” when drying, this medium avoids skinning over and is resistant to “crazing”. This process also allows for air bubbles and tool marks to readily disappear.
When it comes to acrylic pouring, craze-resistance is mucho important and muy practical – it allows more freedom while painting. You do like freedom, don’t you? In any case, CPM Matte and CPM Gloss levels well, creating smooth, uniform paint layers. Blend the medium with Heavy Body, Fluid, or High Flow Acrylics as desired, although we recommend starting with relatively low levels of paint (around 10% color) until you gain some experience with the product and its mannerisms. Then you can, and should, go crazy.
Capturing your world through art in a journal is a low-tech, highly rewarding experience, but you don’t need us to tell you that. In her friendly and conversational video workshop, Gay Kraeger guides you through learning watercolor one step at a time: the basics, quick sketches, page design, lettering, and watercolor techniques needed to create illustrations of your life in the form of an art journal.
Check out this video where Richard and Darin of R&F Handmade Paints talk about things that affect the drying rates of R&F Pigment Sticks. Probably one of the most frequently asked questions we get about Pigment Sticks is, how long they take to dry compared to oil paint out of a tube. Don’t forget that R&F Pigment Sticks are ON SALE at 15% OFF during our MOVING SALE.
Charles Forsberg demonstrates how Pigment Sticks by R&F Handmade Paints are both a drawing and painting medium like no one else. He frequently returns to drawing, forcefully striking marks into the heavily manipulated buttery paint, then tearing it apart, alternating in a push-pull sequence of drawing and smearing, scraping back, revealing previous drawing marks, and piling what he has scraped up into thick sculptural mounds.
Painting becomes an amazing and unceasing gestural exercise over many hours, as Forsberg turns the formless ooze he started with into a powerful structure of shapes and sharply accented marks. www.charlesforsberg.com/
As part of our MOVING SALE, R&F Pigment Sticks are ON SALE at 15% OFF, including all R&F Pigment Stick Sets. The 6-color sets come packaged in a 6½” × 7½” cradled Ampersand Gessobord with six (6) 38ml pigment sticks. The 12-color set coms in a 8″ × 12″ Ampersand Gessobord with twelve (12) 38ml pigment sticks.
There are so many reasons to like Sennelier Oil Pastels, check out this video where Pierre from Pierre’s ArtVentures hangs out with artist Albert Handell, who chats about how he uses Sennelier Oil Pastels and oil paint in his work.
Created in the 1940s in collaboration with Picasso, Sennelier Oil Pastels are creamy, lipstick-like pastels that are rich in pigment, cover well, and have outstanding opacity and lightfastness. Available in 110 “classic” colors and 10 iridescent colors, they/re acid-free, can be applied to any surface, and may be thinned with turpentine and worked with a brush. Modern Sennelier Oil Pastels’ diameter are 20% larger than the original stick, and are available in a larger size called “Grand”– the equivalent of eight regular size sticks.
It’s the same great extra fine, vinyl-based professional grade line of matte permanent colors offering the optics, spirit, and feel of gouache, old tempera paints, and primitive painting grounds that you’ve always loved, but after being unavailable for what felt like forever, Flashe Matte Artists Colors are back with a new look and eleven (11) new colors for a total of 76 colors (including 12 iridescent and 6 fluorescent)!
Hyper-matte, velvety, and perfectly opaque on any surface, Flashe Matte Artists Colors are extremely highly pigmented, versatile, and can be applied densely for maximum opacity, or diluted with water to create transparent watercolor effects. Offering good adherence and resistance to weather aggression, Flashe Matte is ideal for fresco and wall painting, faux finish, film/tv/theater decoration, etc. Compatible with paper, canvas and other supports, or for preparing grounds.