Gamblin Conservation Colors

Restoration of van Gogh’s Bedroom in Arles. Photo courtesy of the Van Gogh Museum.

At Raw Materials Art Supplies, it is important to us to carry products from the companies who are out there doing good things for artists and art. The work that Gamblin Artists Colors does with their Gamblin Conservation Colors is a good example of that.

In the world of art conservation today, there are three important considerations regarding the materials used on artwork. First, the materials used for this work should be stable – meaning that the materials should not change over time. Second, the materials should be reversible and able to be removed without damaging the original artwork. And third, the binder of the material should visually saturate the pigment in a similar manner as linseed oil.

In the mid-90’s, Robert Gamblin collaborated with a group of conservators to improve upon these considerations. Gamblin Conservation Colors were born from this collaboration. They include 50 lightfast colors – made with pigments found in the Gamblin Artist’s Grade and 1980 oils and bound in a contemporary resin binder, which makes the restorations stable and reversible.

Conservation Colors are not sold to artists for a couple reasons. First, they lack the texture and mark-making possibilities of oils. Second, they demand a stronger solvent than artists have (or are willing to work around) in their studios.

Gamblin Conservation colors is truly a labor of love in support of conservators around the world. When you purchase Gamblin materials, you are also supporting the field of conservation and helping to protect our visual history. We are very grateful for your support.

Art on the Superyachts

This article in Bloomberg about “Expensive yachts that double as floating art galleries…” is pretty ridiculous. Then I clicked on the “Listen to Article” button.

A painting hangs on a wall inside a yacht on display during the Yachts Miami Beach Boat Show. Photographer: Scott McIntyre/Bloomberg

“Art historian and conservationist Pandora Mather-Rees runs courses in practical care of fine arts on a superyacht — at a cost of as much as 300 euros a day. Mather-Rees started giving lessons for crews after a billionaire sought her help in restoring a Jean-Michel Basquiat painting ruined first by his children throwing cornflakes and then by the crew wiping them off carelessly, according to the Observer. Her course teaches the crew to understand the value of objects on board and how to seek specialist help in case of emergency.”