Throwback Thursday: Miguel Osuna x Raw Materials

Miguel Osuna x Raw Materials Art Supplies

Was it really a year ago that we shared this video of artist Miguel Osuna with the world? So much has changed since then, but we’re so happy that Miguel is still a loyal, longtime customer, and that he’s doing well in his new studio!

Pendulum Pours w/GOLDEN Color Pouring Medium Matte & Gloss

GOLDEN Acrylic Colors – Pendulum Pours w/Color Pouring Medium Matte & Gloss

Here’s a new way to do acrylic pours – with a pendulum! We are most definitely going to try this at home! GOLDEN Color Pouring Medium Matte (CPM Matte) and Color Pouring Medium Gloss (CPM Gloss) are new and exciting products for 2019. Have you tried doing an acrylic pour yet? So much fun. Unlike most acrylic mediums that develop an initial “skin” when drying, this medium avoids skinning over and is resistant to “crazing”. This process also allows for air bubbles and tool marks to readily disappear.

When it comes to acrylic pouring, craze-resistance is mucho important and muy practical – it allows more freedom while painting. You do like freedom, don’t you? In any case, CPM Matte and CPM Gloss levels well, creating smooth, uniform paint layers. Blend the medium with Heavy Body, Fluid, or High Flow Acrylics as desired, although we recommend starting with relatively low levels of paint (around 10% color) until you gain some experience with the product and its mannerisms. Then you can, and should, go crazy.

These are Drying Times

Check out this video where Richard and Darin of R&F Handmade Paints talk about things that affect the drying rates of R&F Pigment Sticks. Probably one of the most frequently asked questions we get about Pigment Sticks is, how long they take to dry compared to oil paint out of a tube. Don’t forget that R&F Pigment Sticks are ON SALE at 15% OFF during our MOVING SALE.

The Importance of Blue: Artist Pablo Ruben

Daniel Smith presents watercolor artist Pablo Ruben and “The Importance of Blue”

Undoubtedly blue is the essential color in my palette and I have up to six spaces reserved in my usual work zone for them. My works are characterized by cold and grayish ranges, so the blues are completely irreplaceable. The blues that I use the most are: Indigo, Indanthrone Blue, Ultramarine Blue, Cerulean Blue Chromium, Lavender, and Cobalt Teal Blue.

Diagram of the colors used for “Fuente de Castellar”

When mixed with different earth tones (Burnt SiennaBurnt UmberSepia, etc.) I get infinite ranges of grays for all types of planes (background, middle ground and foreground). Mixed with a single yellow, I get a great variety of greens, as I do not usually have greens on my palette.

Pablo Ruben’s DANIEL SMITH Watercolor mixes for making grays

In the reference work “Fuente de Castellar” (Castellar Fountain) the blue is the essential protagonist of the work since the source is the main element of the work. To achieve the main gradient, three blues interlaced and fused with the proper density are necessary to produce the depth effect.

“Fuente de Castellar” by Pablo Rubén

Pablo Rubén has been painting since he was a child, and the last 18 years working as a professional artist. President of the International Watercolor Society of Spain, he has joined in many of the most important watercolor Biennials all around the World: China, Korea, Thailand, India, Mexico, Canada, Belgium, Italy and has been awarded in International competitions such as American Watercolor Society, San Diego Watercolor Society, Slovenia International Watercolor Society.  He is a passionate artist of “Plein Air” work and has more than 400 awards in this kind of contests in Spain and France. As a watercolor instructor he has given workshops in Spain, Portugal, France, Italy, Russia, Canada, USA, Brazil, and Mexico; being very appreciated as an art teacher. An avid traveler, urban scapes and all sorts of water reflections are the main subjects in his work, playing with aerial points of view to make original compositions. 

Pablo Rubén paintings demonstrating the Importance of Blue

“Pilar de la Horadada” by Pablo Rubén
“Alovera” by Pablo Rubén
“Membrilla” by Pablo Rubén
“Blue Bridge” by Pablo Rubén

We Now Offer Same-Day Delivery in DTLA

We now offer same-day delivery in DTLA!

Hey DTLA, we get it. You dream it, you work hard, you grind ‘til you own it. We know you can’t always leave your studio/office when you run out of something bc you’re mid-flow, so we now offer same day delivery!

Whether you need a tube or a gallon of Titanium White paint, a sheet of watercolor paper or a case of foam board – no matter the temperature this summer, if it’s in stock at the store, stay cool and get what you need delivered to your door. Check out our delivery area and rates.

What if you’re in Los Angeles, but not in our DTLA delivery area? We can still ship to you! Orders of in-stock items placed before noon generally ship the same day, and would arrive the next day in most areas of Los Angeles.

R&F Pigment Stick Video Tutorial w/ Charles Forsberg

R&F Pigment Sticks Video Tutorial with Charles Fosberg

Charles Forsberg demonstrates how Pigment Sticks by R&F Handmade Paints are both a drawing and painting medium like no one else. He frequently returns to drawing, forcefully striking marks into the heavily manipulated buttery paint, then tearing it apart, alternating in a push-pull sequence of drawing and smearing, scraping back, revealing previous drawing marks, and piling what he has scraped up into thick sculptural mounds.

Painting becomes an amazing and unceasing gestural exercise over many hours, as Forsberg turns the formless ooze he started with into a powerful structure of shapes and sharply accented marks. www.charlesforsberg.com/

As part of our MOVING SALE, R&F Pigment Sticks are ON SALE at 15% OFF, including all R&F Pigment Stick Sets. The 6-color sets come packaged in a 6½” × 7½” cradled Ampersand Gessobord with six (6) 38ml pigment sticks. The 12-color set coms in a 8″ × 12″ Ampersand Gessobord with twelve (12) 38ml pigment sticks.

Moving Sale!

We’re having a MOVING SALE! All in-stock paper pads, rolls, and sheets from Bee Paper, Bienfang, Borden & Riley, Canson, and Strathmore are ON SALE at 30% OFF!!!

That’s right, we said it – ALL IN-STOCK PAPER PADS, ROLLS, AND SHEETS from your favorite paper brands are ON SALE. Bristol Pads, Mi-Teintes, Tracing Paper, Foundation Sketch Rolls, XL Mix Media Pads, Montval Watercolor Pads, Toned Mix Media Pads, Canvas Pads, Charcoal Paper Pads, Visual Journals, Gray Scale Pads, Manga Paper, Marker Paper, Field Sketch Watercolor, Printmaking Paper – it’s all ON SALE! We really don’t want to move this stuff to our new location. 

Pierre’s ArtVentures: Albert Handell and Oil Pastels by Sennelier

There are so many reasons to like Sennelier Oil Pastels, check out this video where Pierre from Pierre’s ArtVentures hangs out with artist Albert Handell, who chats about how he uses Sennelier Oil Pastels and oil paint in his work.

Created in the 1940s in collaboration with Picasso, Sennelier Oil Pastels are creamy, lipstick-like pastels that are rich in pigment, cover well, and have outstanding opacity and lightfastness. Available in 110 “classic” colors and 10 iridescent colors, they/re acid-free, can be applied to any surface, and may be thinned with turpentine and worked with a brush. Modern Sennelier Oil Pastels’ diameter are 20% larger than the original stick, and are available in a larger size called “Grand”– the equivalent of eight regular size sticks.

Flashe Matte Artists Colors are back!

It’s the same great extra fine, vinyl-based professional grade line of matte permanent colors offering the optics, spirit, and feel of gouache, old tempera paints, and primitive painting grounds that you’ve always loved, but after being unavailable for what felt like forever, Flashe Matte Artists Colors are back with a new look and eleven (11) new colors for a total of 76 colors (including 12 iridescent and 6 fluorescent)!

Oh yeah, Flash Matte Artists Colors are ON SALE at 20% OFF!

Dans ce tutoriel, découvrez les spécificités de Flashe, émulsion vinylique au fini mat. Rendez-vous sur notre site pour en savoir plus.

Hyper-matte, velvety, and perfectly opaque on any surface, Flashe Matte Artists Colors are extremely highly pigmented, versatile, and can be applied densely for maximum opacity, or diluted with water to create transparent watercolor effects. Offering good adherence and resistance to weather aggression, Flashe Matte is ideal for fresco and wall painting, faux finish, film/tv/theater decoration, etc. Compatible with paper, canvas and other supports, or for preparing grounds.

DIY Embossing Magic with Excel Blades

Check out this video from Excel Blades where Sam Martin shows you how to emboss vinyl with the Excel Burnisher Set. Not only can you emboss vinyl, but you can also use this stylus on materials like leather, clay, foil, fondant, etc.  

Materials

Process

1.       Grab your tape and tape your artwork you’d like to emboss to the Bristol paper.

2.       Grab your K18 and cut the artwork out; make sure to only cut-out what you want to emboss.

3.       Poke out the cut-out parts of your artwork.

4.       Take off the artwork you taped to the Bristol paper.

5.       Grab your vinyl and place it over the cut-out; make sure the back of the vinyl is facing you.

6.       Grab your stylus and start tracing the cut-out; change out the tips as you emboss to enhance the overall look.

7.       You can use the ball tip to trace the artwork.

8.       Use the spoon tip to emboss larger areas.

9.       Use the needle point tip to emboss the outline of the artwork to enhance the edges.

10.   Fin.